Sub-theme 05: [SWG] Digitalization of Social Evaluations – Social Media, Platforms, and their Evaluative Roles
Call for Papers
Media is a crucial stakeholder audience when it comes to evaluating social actors (Zavyalova et al., 2018). However, the
rise of social media and digital platforms is radically changing the landscape of how actors are evaluated, and as a result
the consequences of social evaluations (Etter et al., 2019; Orlikowski & Scott, 2014). Such change in the structure of
this key audience and infomediary affects the very nature of social evaluations and the process of their formation (Graf-Vlachy
et al., 2019; Ravasi et al., 2018). Most of the existing research on media and social evaluations is based on traditional
media sources – focusing in particular on newspapers (Vergne, 2012; Zavyalova et al., 2012). More work is needed to revise
our current assumptions and update them to consider the characteristics of this new media landscape.
Compared
to traditional media, social media, and digital media more generally, are more heterogenous and represent a wider diversity
of often disjointed audiences (Roulet & Clemente, 2018); and their content is not only diffused and made visible by humans
but also non-human actors, such as algorithms (Orlikowski & Scott, 2014). This increased complexity raises the question
of how individual opinions aggregate to generate a consensus around the evaluation of a social actor (Zavyalova et al., 2021).
On social media, audiences play a more active role, being simultaneously the producers and consumers of evaluations (Etter
et al., 2019). This affects the pattern of diffusion of evaluations, especially as emotionally charged content is more likely
to be shared (Veil et al., 2012). In this context, network structures between consumers and producers of information disseminated
by the media are even more crucial (Castello et al., 2016).
The rise of social media also offers a number
of new sources of data and novel methodological approaches on the quantitative (Etter et al., 2018; Hannigan et al., 2019)
and qualitative side (Snelson, 2016). Social media thus offer both opportunities and challenges for social evaluations research
and its linkages with social control (Barnett, Henriques & Husted, 2020).
How do social evaluations emerge, persist and change on social media and digital platforms by contrast with traditional media?
How do evaluative behaviors on digital platforms differ? How are they conditioned, enabled, or constrained by the crowds?
What are the effects of anonymity on social evaluations in social media settings?
How are evaluations consumed online (i.e., who is actually exposed to those evaluations and how does it affect those stakeholders)?
Are the consequences of social media evaluations more or less important than those of traditional media?
- What is the role of algorithms for the construction of social evaluations online?
References
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