Sub-theme 80: Creativity and Commons: Leveraging Commons as a Source of Creativity for Social Innovation
Call for Papers
In response to the multiple crises (Adler et al., 2021) often referred to as “grand challenges” (Ferraro et al., 2015),
there is an increasing need for innovative approaches in conceptualizing and shaping our collective futures. This calls for
recognizing novel ways of organizing to overcome those challenges and rethink how to shape inclusive and sustainable futures.
Organizing based on commons, such as with community-based enterprises, is one of the most dynamic perspectives to generate
innovative practices that benefit communities and societies (Peredo & Chrisman, 2006). With the notion of commons expanding
beyond natural resources (Hess, 2008; Fournier, 2013; Peredo et al., 2020), the boundaries of a so-called “commons paradigm”
are growing and have been pushed to new organizing and governing modes (Bollier & Helfrich, 2014; Meyer, 2020).
At the core of this paradigm is the concept of commoning, in which “commoners” come together to collectively organize
for sharing resources in a sustainable and equitable manner (Fournier, 2013; Ostrom, 1990). Commoning generates alternative
practices and processes of decommodification in society for benefit to communities (Peredo & McLean, 2020). Commoning
not only calls for alternative systems (De Angelis, 2017), but also for understanding creativity in designing these new systems.
In such contexts, organizing for the commons strongly relies on collective creativity to identify and practice alternative
modes of organizing (Borch & Kornberger, 2015). Social innovations are particularly useful in this process since they
foster collective action, innovative products and services, shared identities, political projects (Gibson-Graham & Roelvink,
2016), and knowledge (Alexiuk, 2013). In the context of Indigenous peoples, traditional knowledge and practices, distinct
worldviews and resulting cultural norms, as well as the struggle for recovery from colonization, play a role in social innovation
to overcome social, cultural, and political challenges (Peredo et al., 2019).
We posit that there is a need
to further explore the connections between the commons and creativity. Creative mindsets are necessary to expand the field
of possibilities in given communities (Banerjee & Arjaliès, 2021; Ergene & Calás, 2023). For example, the governance
of natural commons requires creative ways to identify shared pathways for collaboration that will enable the creation of new
institutions and practices for sharing and using resources sustainably (Ansari et al., 2013). It is not possible to envision
solutions to global commons at one scale only but rather necessitate creative, polycentric interventions from the private,
public, and nonprofit sectors at the global, national, and local levels.
Similarly, human-made commons rely
on alternative forms of organizations that require creativity to innovate in terms of collective action mechanisms that tailor
solutions to local needs (Daskalaki et al., 2019; Meyer & Hudon, 2017). Knowledge commons are also a source of creativity
for knowledge users who can use creative commons to develop new ideas and forms of creativity (Dobusch et al., 2019). However,
enclosing the commons can reduce creativity since the privatization of knowledge and the development of patents can limit
the possibility of innovating in the cultural, scientific, and economic spaces (Boyle, 2008; Shiva & Holla-Bhar, 1993).
In this sub-theme, and in line with the EGOS Colloquium 2025 general theme, we wish to study the potential of
commons to design creative solutions for a collective sustainable future. We invite submissions around (but not limited to)
the following research questions:
What is the role of creativity in commons organizing and collective action for the commons?
How do cultural and social norms impact the use of commons for social innovation?
How do Indigenous knowledges shape commons-based social innovations?
How does access to commons foster creativity in the cultural and scientific sectors?
What is the potential of creativity to design and sustainably organize commons?
What is the role of creativity in the rebuilding of commons? How can creativity be a defender of commons?
How does commoning create inclusive governance systems?
How do different actors creatively adjust and negotiate different perspectives and visions of the commons?
How do different socio-economic groups and actors negotiate and contest their perceptions of the commons?
How do different actors, characterized by power asymmetries, creatively decide on the sharing of commons?
How are commons-related conflicts creatively resolved?
How are commons lived and valued in different societies and philosophies?
References
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